Arrested Decay...the early years

Even back when, I was a fan of arrested decay and interiors by existing light. Near my childhood home was an abandoned airport. It was left to simply rot and decay and I was able to sneak in for a few shots. Lucky the floors didn't give in while I was in there.

These are scans of the final prints...the negatives were lost somewhere along the line among my many moves.

A little in the foreground gives you depth to perspective

Its an old trick, but if you have items in the foreground your perspective as to depth and sense of place increases. I used this technique in these two images shot from the year I lived in Death Valley's Furnace Creek.

Dantes View was just a short drive, under half hour from Furnace Creek. I loved to go up there to just watch the sunset and the color of light change during that event. It was so enjoyable I made that trip many times, it certainly was relaxing to sit and watch the shadows of the Panamint Range slowly creep across the valley floor.

If you look closely the richness of color has not faded after all these years. Why? I shot mostly in Kodachrome back in the day and you just couldn't match the capability of that film with any other, at least in my not so humble opinion.

Enjoy....

Some things never change...like the love of a dramatic sky

I shot these while living in Death Valley in 1981. Even then the love of a dramatic sky ala the old Dutch Masters was there.

Painting with light

Back when I was in college I did an independent study program my senior year in a fine art vein instead of following the commercial path I had been on. A lot of reasons for it, chief of which was I wanted to explore my creative artistic side beyond what a commercial studio would do.

I had stumbled upon the idea of painting with light during my intro to color class and fooled with it a bit. What I did to achieve the effect was to place the camera on a tripod and leave the shutter open several minutes with a small "f" stop for max depth of field as well as allowing maximum time to "paint" with the light. The light source that I painted with varied from flash lights to sparklers. I often times lit the model with a quick flash from a strobe so that part would be properly lit so I could focus on the time to paint with the light source.

Here are just a few examples, more can be found in my flickr set called "Early color work"

Its all about a true black....and good mid tones

Talk about a hard shot to get right, but I did. This pic of the bridge and mill in Burfordville MO was taken fall of 1977 for my Black and White photography class. It was exercise in the "zone system" as formulated by Ansel Adams...one of my long time hero's for so many reasons.

Just a little taste of spring

Shot this in March 1976 could be dogwood. Could be forsythe. Both were the first to bloom in MO once winter was done and before the rest of the stuff was ready to go.

This is from a scan of the original negative done with an Epson V600 Photo scanner, set the dpi for a max 12800 (extrapolated) that picks up every little piece of grain. I dumbed down the images just a couple of notches so it loads faster here.

Funny how my love of things up close was there in the early work. I like how the depth of field is so shallow that only a couple of blossoms are in focus.

A few more from the archives

This is sort of fun digging into the archives and digitizing things for posterity...or at least until the next big thing comes along.

I've always loved isolating trees and showing off their individual beauty in a forest. I particularly like this set of images. They were shot in Northern Minnesota on my grandparents property on Bear Island Lake outside of the town of Ely where they lived. Can you tell from these images that Ansel Adams had an affect on me even in my early years?

Some trends go back ages...

I have a new scanner and among the tasks I have for it is to take my old B&W and archive them all digitally.

One of the things I've noticed in my early work was an affinity for natural lighting, even low level for all the drama one can get from the images shot under such conditions. Also noted that I did a lot of very moody black and white work both indoors and outdoors.

These images are of some family members that cooperated with me and my experimentation back in the day. Both are very natural portraits that I am still very pleased with many years after the fact.

Interesting for me also was my propensity to not only store them for safe keeping back then, but I also noted the basics such as film used. In this case these were shot in good old Tri-X Pan at ASA (we call it iso now) 400, no pushing was done.

Praise be...the new scanner arrived

Can't wait to find in storage all of my negatives,not just those stashed in with the trusty High School yearbooks. This gem came from the first set I shot with my first brand new, spanking way cool 35mm camera that I bought with all my graduation gift money.

Best I could find to celebrate the arrival of my new scanner, an Epson V600 that is comes set to scan both negatives and transparencies. Should be interesting to see how it does with the old Kodachromes...will it reproduce the same rich color? Right now am pretty amazed at what it does with old color negatives like this July 4th shot done summer of 1975.

test...just a test of a new tool in my arsenal

I bought a flip cam...mostly for use over at So Cal Auto Blog the possibilities are endless. Maybe do some tutorials on stuff I do with CS5? HDR? Just random stuff like this test video that I put together fooling around with the simple tool earlier today? I don't know, what would you like to see?

Camellia...orton style

I just love how a pretty blossom becomes oh so romanticized with the simple addition of a couple of steps in Adobe CS5.

I've done the steps numerous times in other posts this time around will skip the details on how I got there and just let you enjoy the image.

Interesting Online Gallery for me...Gallerish

So as part of my near daily quest to find new venues to show case my art work I stumbled upon Gallerish, an online gallery for Los Angeles.

Its pretty nifty, certainly is a no risk venture to show case ones art. The nice thing is that they permit linking to your own website at no extra fee. Pretty slick way for new/emerging artists trying to build a following of collectors to get some exposure. Their home page link HERE.

Of course I set up my own brief online gallery with them. You can find me HERE.

A little diversion and play time with Polaroin

Yesterday a friend turned me on to a web site called Polaroin. Link HERE. It creates Polaroid style images out of your digital photographs regardless if shot with a cell phone or DSLR.

I played around with it a bit yesterday and am having fun with it. Though I do mourn the day Polaroid dissolved itself and quit making film its nice to see it replicated with a fun online app. (I have ample Polaroid images from over the years, loved the look and feel of the images and have quite a collection of their cameras so my mourning is twofold....can't use the cameras I have and can't play with the process again in the future).

Of course it got my wheels turning and wonder if there is a point to duplicating it in Adobe's Photoshop CS5. Art for the sake of art has its purpose and I just may do so. Stay tuned....

HDR to the rescue

This image would have been nearly impossible to capture without the aid of HDR post processing? Why you ask? Well the "wall" behind was actually a bank of white plexi that was back lit and several stops brighter than even the spot lit car. Shooting it bracketed +/- 2EV solved the problem when I used those files to generate an HDR image.

The final image was then tone mapped with Photomatix. After that it needed no other post processing 'cept for some minor color correction work.

The car is the Mistubishi i-MiEV (electric car) due on sale later this coming year. More about the car on So Cal Auto Blog.

A new Focus and a photo op

Last night I attended an event at the Petersen Museum. Ford and Jay Leno donated the Ford Focus Electric Vehicle he had used in his show last season. Link to the post about the event itself HERE.

It should be no secret by now that I love to shoot cars about as much as I love to drive them. These events are terrific for shooting cars but the lighting isn't always ideal, and I dislike the harsh look of flash preferring the available lighting any day.

The problem with last nights shoot was multiple. First the car I wanted to feature was white, under spotlights that created too harsh a contrast and zero highlight detail. That was fixed by shooting with HDR post processing in mind. Second was that because of the different light sources there was different colors of light coming into play that makes accurate color balancing by the camera difficult...shooting RAW and using Adobe's CS5 helps with the color correcting.

Of course Photoshop helps with the final processing, in this case using some filters to make the 2012 Focus Electric the center of attention by using some spotlight action to darken other areas of the frame so the key car pops out from the back ground.

In terms of HDR processing I shot this bracked +/- 2 EV. The HDR file generation used those 3 files to create the file I worked from for color correcting and filter application. Tone mapping was done via Adobe's CS5. The final image used here was then dumbed down in size and dpi so it would be fast loading without sacrifice of detail .

The final image gets bigger with a click.

Just a new little adventure...

I was asking for a new adventure. I got one, well made it happen. My friend Dave Share from metblogs/blogging.la have been talking for a while about doing a car blog. We made it happen over the last few weeks.

You can visit So Cal Auto Blog and leave comments or whatever. I'd really like it if you'd click on the ads from time to time as it helps us build credibility with them beyond content.

The banner was made by me from an image of a Mustang Bullitt I shot a while back. Cropped it down and added text with Photoshop...and then sized to fit within the spot allotted in word press. Stupid easy and nice results.

Stuff

I worked this image from 3 bracketed images into an HDR file then took it a step further and ortonized it. In short I needed a dreamy looking image for a post I was working on for blogging.la that ran today. I was pleased with the outcome.

I'm hanging in Monrovia City Hall through March 31st. I was hung (figuratively, not literally but am sure there are a few that would like to blur that line) this past Wednesday. I need to get a shot in of my work hanging in the "City Lights" gallery as it is called in city hall. When that has been accomplished will post it here too. A little bragging, but what good is a blog if you can't do your own self serving post every now and then.

Just a little break in the rain

I've found through trial and error that a low res camera is just as good as a high res when it comes to producing orton style images. This quick image was grabbed with a cell phone of all things and worked in the orton style.

Love the impressionistic view of the world an orton style image produces.

To get there you make a duplicate layer, increase the exposure, slight increase to the saturation, and finally give it a little blur via the gaussian blur filter in Adobe Photoshop CS5. Then you take the layers and give them a multiply blend and voila you have your own orton style image.

Sold to a collector...has such a nice ring to it.

It has an even nicer ring to it when its a repeat customer and is more than 2 pieces, especially in this tough economy. Funny how the same person takes unrelated pieces.

Roses

Before Electricity

Cars, Cars, Cars....love 'em to drive and shoot

I love cars. Without a doubt many of those machines are just beautifully engineered and sexy to the eye as well. Getting a press pass gives one uninterrupted access to cars during the LA Auto Show and I wear myself ragged during the show.

To get this shot I did a few things, including a departure from normal...added in some elements. The car is the Mercedes Benz CLS 63 AMG which is drop dead gorgeous. I bracketed the shot to get the exposure right, then added in some spotlight and lens flare effects to frame the car better from its surroundings.

To save you the google searches my primary posts on blogging.la are HERE and HERE. My entire set of raw images from the LA Auto Show are in a set in flickr, appropriately titled 2010 LA Auto Show.